MOD 茂田 | 歌詩達意式郵輪-在這里讓彼此的心更靠近
現在，越來越多的年輕人，奮斗在路上，卻對最親近的家人開始心不在焉。如何能讓漸漸走遠或疏忽的彼此，不再貌合神離？這次，Costa與Ogilvy（上海）攜手MOD茂田制作團隊聯合打造了一次真正的全家海上穿越之旅。置身于另外一個空間，在海上遇上怎樣的好時光？
Nowadays, the young generations take most of the time on work and gradually being absent-minded, ignored the closest family. How we could be real together with family in mind, but not only the body? This time, Costa and Ogilvy Shanghai worked with MOD production team, create a genuine whole family journey across the sea. In another space, what kind of a pleasant time we would have, during the cruise trip?
為了體現這次Costa 賽琳娜號充滿異國的穿越之行，MOD茂田制作團隊邀請了意大利導演Marco和Giovanni來拍攝這條片子，也正好與Costa意式游輪不謀而合。為了達到完美的效果，制片團隊找了近幾十個場地用于拍攝前期在家中的畫面，導演也提前從意大利飛來和我們一一去各個場地實地勘查討論。
To reflect the exotic journey of the Costa Serena, the MOD team has invited Italian director Marco and Giovanni to this film, which coincides with the Costa's Italian cruise line. In order to achieve perfection, the production team has been looking for a few dozen places to film the home scene, and the directors has flown ahead of schedule from Italy and we've gone to scout one by one.
追求最極致的畫面與影片帶來的別樣風情，美術與道具老師下很多心血。因為這次拍攝在海上游輪，并且要出境，對于前期準備來說挑戰極大。本次拍攝涉及場景較多，除去上海的拍攝日，僅在船上內景就有餐廳，舞會，大劇院，還有許多甲板上的外景。
In pursuit of the most extreme images and the special customs brought by the film, the art and props teacher has done a lot of hard work. Because this film was taken on a cruise ship at sea abroad, it was a great challenge for preparation. Apart from the shooting day in Shanghai, there are several indoor scenes, for example restaurant, ball room, the theatre, and locations on deck.
如何能最大限度的不打攪到其他游客，也是這次拍攝需要解決的問題之一。每晚拍攝結束我們都會與船方負責人開會再來決定明天哪里可以拍攝，本次的制片大奇就算扭傷腳踝，但依舊堅持在拍攝現場站著協調和統籌。
How to avoid disturbing other tourists to the greatest extent is also one of the problems to be solved in this shooting. Shoot every night we will end with the ship, head of the meeting tomorrow to decide where to shoot again, the producer Daqi even if a sprained ankle, but still insist on standing at the scene of the shooting and coordinate as a whole.
海上的暴曬、大風對我們也同樣是個挑戰。道具組在足球上穿上魚線來保證它不會落入海中，因為有不少戲是在船的甲板上，所有制作團隊的人嘴唇都干裂爆皮，有的甚至開裂流血，尤其是演員們穿著極少的球服，天沒亮就開始吹海風。斑馬的扮演者， 脖子上要承受十幾斤的頭套負荷，而且只有身材嬌小的女生才能穿進這套衣服。
The sun and wind at sea are also a challenge for us. The prop team put fish line on the football to make sure it would not fall into the sea, because there were a lot of scenes on the deck. All the people in the production team had dry, cracked and bleeding lips, especially the talents, standing in the wind with football uniform. The girl who played the role as zebra, she is tiny enough to fit the customed cloth, but heavy headgear.
團隊介紹 Team Members
客戶 Clients: Costa 歌詩達郵輪
代理商 Agency：Ogilvy 奧美上海
制作公司 Production House: MOD 茂田
導演 Director：Bellone + Consonni
攝影師 DOP: Wouter Westendorp
Trinity DOP: Lucano Jr
副導演 AD：姚卓 Anthony
監制 EP: 彭利健 Temple
制片 Producer: 陳奇
美術 Art Director: Amily
剪輯 Editor：Craft Creations
調色 TC：Craft Creations
精剪 Online：Craft Creations
作曲 Music：Smider
混音 Mix：Sync
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